readingredhead: (Red Pen)
I've been thinking lately about a conversation I had with Matt Miller, my teacher at Stanford over the summer, about the mind of the writing and how it differs from the mind of the author.  It started as a discussion of first sentences, and their importance.  We had just been required to write 10 potential first sentences for stories we were interested in writing, and take 3 of those sentences and create an opening paragraph.  Most of us expressed some discomfort with the paragraphs spawned from these sentences, and Matt gave us some good advice.  He said, "Sometimes you have to write yourself to the first sentence.  The first sentence you write is usually not the real first sentence.  Sometimes the real first sentence is in your second or third paragraph.  Sometimes it's on your second or third page.  Other times, it takes thousands of words to get you to that first sentence, the point where the story should start.  And getting there isn't the only trouble.  Once you're there, you have to have the sense to realize it, and to delete the rest of the crap that took you there and start as if from scratch."

I'm thinking of this right now because I've just realized that the 3500 words of short story I've written don't actually have a place within my short story.  Though I initially thought they were crucial to the plot, I've just realized that it doesn't matter how my MCs meet each other, or how they interact then, as long as I make sure their interactions are always realistic.  I also realized that, short story that this is, the word count is my enemy -- and so is time, in this case.

The stuff I was writing just wasn't feeling right -- maybe it's because I hadn't gotten to the beginning of the story yet?

I haven't written my "first sentence" -- truth be told, I'm not in much of a writing mood at the moment -- but I know when I do that I'll have enough information behind it that maybe -- maybe! -- it'll stand up.
readingredhead: (Talk)
Finally, I can update the list of books I've read so far this year.

1. Beauty by Robin McKinley
2. The Coelura by Anne McCaffrey
3. Fahrenheit 451 by Ray Bradbury
4. Brave New World by Aldous Huxley
5. An Assembly Such As This by Pamela Aidan
6. Duty and Desire by Pamela Aidan
7. These Three Remain by Pamela Aidan
8. A Wizard Alone by Diane Duane
9. Hamlet by William Shakespeare
10. Cameo Diner by Matt Miller

I feel like I cheated, because the most recent one's a book of poetry that's taken me maybe an hour to read...but it was good, and some of the other books on this list are long, so it makes up for it. Also, a book is a book is a book. I shouldn't discriminate against it for being a book of poetry.

Besides, there were some really good poems in it.

Periscope
by Matt Miller

I've hoisted gods on my shoulders before
and so you've probably seen them dancing
above the crowd, effortlessly gliding over
the human sea like sweaty kids dumb-faced at
a July parade. I'm big and tall though so it's
really no effort and really gods are actually
quite light, much lighter tha you'd think, bones
like birds I guess, and I apologize if I ever confused
anyone or caused a cult or worse a religion, it's just
that as tall as I am I hoped to see a little further
but male or female, dog or cat, savior or trickster
or whatever combination thereof it was all
a waste of effort since once sprung forth or
pulled out from my squinting brow
and thrown up onto my back, they all turned out
to be blind, every last one of them.

The Mute
by Matt Miller

And he to me: These miserable ways
The forlorn spirits endure of those who spent
Life without infamy and without praise

They are mingled with that caitiff regiment
Of the angels, who rebelled not, yet avowed
To God no loyalty, on themselves intent.


--from The Inferno, Canto III

There are no boots marching, no steel
toes knocking at my door, no black coats
coming to arrest me, and yet I have stopped
in the middle of the song, turned quiet
at my turn. The scopes on the roofs are
not on me, they are not even my roofs,
and still nothing, no rhythm hung lyrics,
not even humming or whistling
against evening graveyards. Why am I
unbound yet so silent? Why, not yet tied
by bars or knives, with mud or dung
beetles, not soiled in search lights and
rusty puddles, am I so mute, so dumb?
So uncensored, why do I wither all
my untethered hours lying in the sand
by the summer sea? Horseflies chew
the salt from my skin, and I do nothing.

I got the book last summer from my teacher at Stanford, because it's his. It was so odd reading through the poetry and realizing that I had met the person who wrote it, especially because some of it, like the poems above and a couple others, seemed so important. I'm not used to knowing people who're important. And Matt never seemed that important, I mean he did but not in the crazily poetic way. So it was odd reading this and in my head hearing him saying it. But it was also really, really great.

On one of the last days at Stanford, my class did a poetry reading in the common room at Terra. Matt came by, and so did the Creative Writing program director, and we shared poems we had written while sitting on chairs and piano benches and the floor in a circle. At first no one really wanted to read what they had, but slowly we got off to a start, and we read around the circle, and some of the poems were powerful like this. And we all told Matt he had to read something of his, so he deferred that he didn't have anything on hand, but I had his book with me (because he'd given us copies a day or so before) so I handed it to him and told him to read, and he did. And when the book finally came back to me it was signed: "For Candace. I'll be watching for your work in all the mags and journals. 'I greet you at the beginning of a wonderful journey.' (I misquoted Emerson for you.) Best, Matt EPGY 2006"

I miss Matt, and Terra, and a lot of the people I met there. I miss Stanford: all of it. But I mostly miss who I was there. I miss being that girl. I know I can't go back in time, and I don't want to, but those three weeks made me feel so much myself, and I don't think I could possibly forget them.

Goodbye

Jul. 14th, 2006 07:51 am
readingredhead: (Stranger)
So this is it: I'm going. In two hours I'll be driving home.

It feels good, I guess, but it also feels terrible.

For the past three weeks, the people here have really been my family -- and I say that honestly. There've been moms and dads and annoying little sisters (though no one as good at it as Corinne) and cousins and brothers even (I've never had those before) and it's been good. I've never really had an experience like this before, having to meet all these people and then three weeks later have to tell them goodbye.

Don't get me wrong -- I want to go home -- but at the same time...I don't want to leave here. Leaving...that means I might not come back.

That's really the root of it: when I leave Terra this morning, I'll never know if I'm coming back. Okay, not never -- but December 15 (the day Stanford notifices early action applicants) seems too far away.

Bill Calder has it right when he jokingly calls the time we spent here the "Terra Era." That's what it felt like, so that's what it should be remembered as. There were so many moments of it that mean so much and will continue to mean that much, whether or not Stanford becomes a more permanent home in the future.

There are things from yesterday I really should journal, but I don't know if I'm in the mood to relate a straight story at the moment. Let's just say there was impromptu onstage poetry in front of 200 or so people, lollipops, fountain hopping, ice cream, non-impromptu poetry readings, goodbyes.

For some reason the song "Goodbye Love" from Rent is stuck in my head now...I don't even remember how it starts, I just have the refrain going through my head. Yes, it's melodramatic (and I'm not in love with Stanford) but my time here has changed me in ways I'll probably still be finding out when I apply here and if (when?) I go here. It's big. It's bigger than I can be.

And it was good.
readingredhead: (Milo)
Picture descriptions to be posted later; this is just to let me remember so that I can go back later and write up stuff. At the moment, I don't quite have time for it.

picture 01: in the room where the stegner fellows workshop

picture 02: bill in a toga

picture 03: the elusive black squirrel

picture 04: facepainted paula and the cotton candy

picture 05: facepainted katherine -- eye dots

picture 06: i heart milo

picture 07: luke and katherine looking funny

picture 08: matt reading one of his poems

picture 09: the room where we workshop

picture 10: the view out of that room's window

picture 11: the dragon on my arm

picture 12: the Oath on my arm

picture 13: the maruchan noodles

picture 14: the map

picture 15: grisha

picture 16: valerie

picture 17: stanford shopping center

picture 18: the raccoons

picture 19: whitney

picture 20: moonbean's cafe

picture 21: the treehouse

picture 22: paula's modern art

picture 23: bubbly fountain

picture 24: katherine in front of fountain, back turned

picture 25: gryffindor tie dye

picture 26: dyed hands

picture 27: dyed feet

picture 28: washing off the dye

picture 29: katherine in the mirror

picture 30: the resultant shirt-wad

picture 31: katherine's greek arm

picture 32: terra from the outside
readingredhead: (Default)
So in an act of personal stupidity I have deleted all the pictures I took while I was here.

Every damn one.

Why the hell do I do stupid things like that? I saw that the menu on the camera said "delete all" right below where it said "delete this," I thought of how terrible it would be if I accidentally hit the wrong one. But I never thought I'd do it. I'd just been going through all of the pictures I'd taken -- Matt reading aloud his poetry, the room where the Stegner Fellows do their workshopping, black squirrels (unique to the Stanford campus), all of our face-painting tie-dyeing escapades, Paula and Katherine and Luke -- and Katherine's left now so I can't get a picture of her again, and I don't know if she took any with herself in them -- pictures of the common room, the map before it got all screwed up...

I was just so happy about leaving, going home, but still having memories of what was yet to come. But now...now it's like all of my memories are gone, along with the pictures.

I've deleted things before and never gotten them back, but this is worse. I can rewrite something. I can't relive a moment.

So maybe that's what I'll have to do -- since I can't relive these moments, I'll have to rewrite them. When I get back here tonight, maybe that's what I'll do: try to remember all the pictures, and write them instead of having them as images. I think it's all I have to do, now -- that, and take more pictures. I've got to just move on.
readingredhead: (Default)
(Click here to post your own answers for this meme.)

I miss somebody right now.  ((Only a few more days!)) I don't watch much TV these days.  (Damn school, I barely have time for the requisite X-Files viewings!) I own lots of books.  (At least a bajillion and two.)
× I wear glasses or contact lenses. × I love to play video games. × I've tried marijuana.
× I've watched porn movies. × I have been the psycho-ex in a past relationship. I believe honesty is usually the best policy.
I curse sometimes.  (Unfortunately...) × I have changed a lot mentally over the last year. × I carry my knife/razor everywhere with me.
it goes on... )
readingredhead: (Earth)
So I was randomly searching my name on google (and finding nothing) when I then decided to search a name of a relative of mine way back, one Nancy Cunard. I learned that she existed last summer when we looked up the Cunard line genealogy in the Reading Room of the British Museum in London. So I searched her and found that she's got a wikipedia site at http://en.wikipedia.org/wiki/Nancy_Cunard. As soon as I saw that one of the tabs in the main entry was labeled "Outlandish Behavior, Relationships" I was hooked. She seems like the sort of person I very much would have liked to know. I just felt like I had to post this, because I found it so interesting. Really random last note -- she apparently had a fling with Aldous Huxley, as in the guy who wrote Brave New World. Now that is kinda cool...

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