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Writer's meme stolen from Natasha
Jul. 26th, 2008 10:56 pmBecause I should have been writing, but I wasn't.
What's the last thing you wrote?
...It's probably bad that I don't remember. I'm pretty sure that it was from The Printer's Daughter, my as-of-yet unfinished 2007 NaNovel.
Was it any good?
The fact that I can't remember it probably means that it wasn't. I've been planning two random stories that popped into my head, but I haven't really been writing on them (because I'm saving them up so I have options for NaNoWriMo 2008).
What's the first thing you ever wrote that you still have?
When I was four, I wrote a story about the cat who lived next door. His name was Frasier. It was illustrated and took up an entire front side of a piece of lined paper (each letter took up three lines, and there was a space between lines--the whole thing was possibly five sentences long). I spelled the cat's name "Frasher" because that made sense at the time. I still have this piece of paper, tucked away somewhere.
But if this question is more like, "what's the first thing you ever wrote that belonged to the time period when you were serious about being a writer?" then I'd have to admit to having several horrible first drafts of the first book of what was (and still is) intended as a fantasy trilogy, set alternately on Earth and on an earthlike planet called Azuria. These date from the beginning of seventh grade. In fact, I still have the handwritten first copies of those, too (in pencil, from my seventh grade writing portfolio). It was the first time I tried to write something that required worldbuilding and complex characters and was intended (eventually) for publication.
Write poetry?
Most definitely. Not as much as I write prose, and probably not as well. My goal with writing poetry is different from my goal with writing prose. Poetry is always much more personal, less about telling a story and more about capturing a specific feeling or atmosphere. My poetry doesn't usually have conflict or characters; it's more about ideas.
Angsty poetry?
Oh yes. Actually, not until recently (because, until recently, I had very little to angst about). Wait, I take that back--somewhere there exists an angsty poem I wrote in eighth grade about the boy I had a crush on then, in which I lamented that he never noticed me as more than a friend.
Most fun character you ever wrote?
Ooh, this is hard. Because it's a very different from asking who my favorite characters I've written are. I can't think of characters that are particularly "fun" to write, although I like Rhinn from my planned trilogy of fantasy novels a lot. Also, Mr. Robinson, a government agent in a sci-fi short story I wrote, is lots of fun because he's fantastically spy-like and knows everything. Also also, Ferdinand (aka Andy) from "The Free Way," because he starts out being so isolated and proper and ends up ruining an expensive Armani suit by frolicking through the garden in the pouring rain.
This is different from "fun," but a character I'm always really thrilled to write is Aleska from a short story called "Fire and Ice," because her view on everything is so unique and she's at such a crossroads in her life, and I love being inside her head as her world shatters and she pulls together the strength to rebuild it (does that sound a little sadistic?). When I wrote her story, everything just seemed so inevitable about it, like the ending was pulling me forward from the moment I started.
Most annoying character you ever wrote?
Charles Macaulay from "Predators and Editors" (even though I don't like the story much at all). My main character's little sister (I think her name's Megan) in the planned fantasy trilogy. Not sure I can think of others specifically.
Best plot you ever wrote?
It's hard for me to like the plots of my novels-in-progress, because they're not done yet. Also, for instance, I really like the plot for The Printer's Daughter, but seeing as how it's a mix between "Beauty and the Beast" and Jane Eyre, I don't feel quite like it's my plot.
I like a lot of my short story plots, but specifically "Fire and Ice" and "The Free Way."
Coolest plot twist you ever wrote?
ZOMG the mysterious master of the manor house is actually a werewolf!
How often do you get writer's block?
Not sure I believe in writer's block, just writer's laziness. But I get that all the time.
How do you fix it?
Write.
Do you type or write by hand?
Both. Usually, I plan by hand and write early drafts by hand (occasionally), but most of my final stuff and all of my editing is done on computer.
Do you save everything you write?
Yes, to the extent where my mother has given up asking me to get rid of old notes scribbled on the back of whatever was at hand and just asks me to organize them.
Do you ever go back to an old idea long after you abandoned it?
Very big yes. I'm still planning to someday write the fantasy trilogy that I began to plan out in fifth grade. Granted, I guess I've never abandoned it, but it's been on sabbatical for a long time. I have worked on it occasionally, in bouts of seriousness, but never gotten more than 40,000 words into the first book of the trilogy, with really minimal planning for what happens next. I do have a whole lot of worldbuilding for this place, though, and that more than anything tells me that I'll be coming back. I know too much about how things work on Azuria to abandon it. Also, Holly and Jasen, my main characters, were the first characters I really invested with my whole heart. I can't leave their story untold.
What's your favorite thing that you've written?
Favorite completed thing? "Fire and Ice," no question. Favorite incomplete thing? I have no idea. Since I've been working most seriously with The Printer's Daughter recently, it's close to the top of the list, at least for specific portions which I absolutely adore.
What's everyone else's favorite thing that you've written?
Depends on who you mean by "everyone else." Most people who've read "Fire and Ice" like it, but my dad likes the stories I've written for workshops at Berkeley best, since they're realistic. I don't actually think that "Flour Girl" or "Dead White Women" are all that bad--I surprised myself in writing them and liking them, and I suppose that other people probably like them too.
Do you ever show people your work?
Yes. Frankly, I wish that I had more readers to help me work on things!
Who's your favorite constructive critic?
Depends on the day. Sometimes, it's my dad, because he's not afraid to be honest with me and he holds me to very high standards. But at the same time, sometimes his criticism boils down to "Why did you insert a werewolf into what would have otherwise been a perfectly good real-life story?" and on those days I have to stay away from him, because it hurts still to know that that's what he thinks. The only other person who regularly reads and critiques my work is Rebecca, and she is also very good at keeping me honest. She laughs me out of bad ideas and talks me through the good ones.
Did you ever write a novel?
I don't think I can answer "yes" to this, because while I have begun no fewer than four separate novels, I have yet to complete a single one. I don't think I get to answer "yes" until I have a complete first draft. But I suppose it's not lying to answer "almost."
Have you ever written fantasy, sci-fi, or horror?
Yes, much to my father's shame and my delight.
Ever written romance or teen angsty drama?
The first real original fiction romance that I've written in an prolonged form is The Printer's Daughter, though most of my stories end up having romantic pairings that will work themselves out in the future, even if not during the timeline of the story.
However, long before this I was writing romance fanfiction, because while I am not an insane shipper, I am a shipper nonetheless, and one of the major draws of fanfiction is the ability to construct an alternate or extended saga in which the romance works out the way it's obviously supposed to.
What's one genre you have never written, and probably never will?
Horror. I don't think I'm good enough to write a really smart thriller, and horror seems like a cheaper version of that genre (thriller but without the smarts) and I don't want to write that.
How many writing projects are you working on right now?
Three is probably a safe number. The Printer's Daughter is the big one, but there's also two ideas kicking around in my head and jostling for the spot as my 2008 NaNovel. One's about a normal highschooler who finds out that her best friend's a wizard, and the other is an anti-Twilight manifesto presenting itself as a cross between Rent and Buffy the Vampire Slayer.
Do you want to write for a living?
Yes.
Have you ever written something for a magazine or newspaper?
Erm...not really.
Have you ever won an award for your writing?
Probably? Nothing big enough that I remember.
Ever written something in script or play format?
Yes, for Script Frenzy.
What is your favorite word?
Eloquent, juxtaposition, coalesce
Do you ever write based on yourself?
Yes. I think all of my characters are facets of myself, or mirror images of me--but somehow or other, they start with a part of me, whether it's one that I am in tune with or one that I'm trying to run away from.
Which of your characters most resembles you?
Well, Holly and Jasen were written as splinters of my personality, very deliberately--Holly comes very close to self-insertion. But after her, Noelle is very close.
Where do you get ideas for your characters?
People I know. People I am, or could be, or desperately don't want to be, or wish I was. Anyone I feel some strong emotion for, be it pity or desire or camaraderie or pain.
Do you ever write based on your dreams?
Yes.
Do you prefer happy endings, sad endings, or cliff-hangers?
I'd rather read a happy ending, or at least a fulfilling one, as long as it fits with the tone of the work. If the happy ending still comes as a result of great sacrifice and pain, I'm okay with it. It's happy endings no one has to work for that piss me off. Same goes for tragic endings that just seem to happen for no particular reason or with no significance. I mostly write happy endings, or at least uplifting ones, but I really admire people who can write sad stories that I keep reading.
Have you ever written anything based on an artwork you've seen?
No, but I have written things based off of music I've listened to.
Are you concerned with spelling and grammar as you write?
Nope. Even in the editing, I'm rather loose with grammar. I think it should be a reflection of the way a thing is being said or thought or intended, and we rarely think in proper grammar.
Ever write something entirely in chatspeak?
No.
Does music help you write?
No, not really. It usually just distracts me. I only use wordless music when writing, and then only as a way of drowning out something even more distracting (such as people talking loudly).
Are people surprised and confused when they find out you write well?
I like how this question presupposes that people will find out that I write well. I don't think I've surprised anyone with my fiction yet, or if I have, they haven't told me about it. But I have had a string of teachers and professors rather gratifyingly surprised by the quality of my essays.
Quote something you've written.
I don't have access to very much on this computer, but here's a few lines from a freewrite that I am in love with. "He" is Jasen and "she" is Holly (from the long-planned fantasy trilogy):
After the end, they go on. He's still the best friend she's ever had, maybe the only one, and she wouldn't trade that for anything in the world. She knows it in her heart and in her soul. People around her talk about what they'd do for their friends, and she knows she'd do it all and more--she knows that she has done it. She's given her life for him, and though it hasn't been taken, that's only a matter of luck, a simple miracle.
Everyone says it's more than friendship. She brushes that aside as best she can. "What's more than friendship?" she asks the doubters. "What's purer, truer, longer?" Frienship is safe because everything else ends.
Her heart has two settings--"don't care" and "forever"--and it's obvious which one is his. But how she gives it to him is her choice, and so she decides anew every morning, every afternoon, and every night that they're forever friends, and nothing else. There is nothing else that they need.
What's the last thing you wrote?
...It's probably bad that I don't remember. I'm pretty sure that it was from The Printer's Daughter, my as-of-yet unfinished 2007 NaNovel.
Was it any good?
The fact that I can't remember it probably means that it wasn't. I've been planning two random stories that popped into my head, but I haven't really been writing on them (because I'm saving them up so I have options for NaNoWriMo 2008).
What's the first thing you ever wrote that you still have?
When I was four, I wrote a story about the cat who lived next door. His name was Frasier. It was illustrated and took up an entire front side of a piece of lined paper (each letter took up three lines, and there was a space between lines--the whole thing was possibly five sentences long). I spelled the cat's name "Frasher" because that made sense at the time. I still have this piece of paper, tucked away somewhere.
But if this question is more like, "what's the first thing you ever wrote that belonged to the time period when you were serious about being a writer?" then I'd have to admit to having several horrible first drafts of the first book of what was (and still is) intended as a fantasy trilogy, set alternately on Earth and on an earthlike planet called Azuria. These date from the beginning of seventh grade. In fact, I still have the handwritten first copies of those, too (in pencil, from my seventh grade writing portfolio). It was the first time I tried to write something that required worldbuilding and complex characters and was intended (eventually) for publication.
Write poetry?
Most definitely. Not as much as I write prose, and probably not as well. My goal with writing poetry is different from my goal with writing prose. Poetry is always much more personal, less about telling a story and more about capturing a specific feeling or atmosphere. My poetry doesn't usually have conflict or characters; it's more about ideas.
Angsty poetry?
Oh yes. Actually, not until recently (because, until recently, I had very little to angst about). Wait, I take that back--somewhere there exists an angsty poem I wrote in eighth grade about the boy I had a crush on then, in which I lamented that he never noticed me as more than a friend.
Most fun character you ever wrote?
Ooh, this is hard. Because it's a very different from asking who my favorite characters I've written are. I can't think of characters that are particularly "fun" to write, although I like Rhinn from my planned trilogy of fantasy novels a lot. Also, Mr. Robinson, a government agent in a sci-fi short story I wrote, is lots of fun because he's fantastically spy-like and knows everything. Also also, Ferdinand (aka Andy) from "The Free Way," because he starts out being so isolated and proper and ends up ruining an expensive Armani suit by frolicking through the garden in the pouring rain.
This is different from "fun," but a character I'm always really thrilled to write is Aleska from a short story called "Fire and Ice," because her view on everything is so unique and she's at such a crossroads in her life, and I love being inside her head as her world shatters and she pulls together the strength to rebuild it (does that sound a little sadistic?). When I wrote her story, everything just seemed so inevitable about it, like the ending was pulling me forward from the moment I started.
Most annoying character you ever wrote?
Charles Macaulay from "Predators and Editors" (even though I don't like the story much at all). My main character's little sister (I think her name's Megan) in the planned fantasy trilogy. Not sure I can think of others specifically.
Best plot you ever wrote?
It's hard for me to like the plots of my novels-in-progress, because they're not done yet. Also, for instance, I really like the plot for The Printer's Daughter, but seeing as how it's a mix between "Beauty and the Beast" and Jane Eyre, I don't feel quite like it's my plot.
I like a lot of my short story plots, but specifically "Fire and Ice" and "The Free Way."
Coolest plot twist you ever wrote?
ZOMG the mysterious master of the manor house is actually a werewolf!
How often do you get writer's block?
Not sure I believe in writer's block, just writer's laziness. But I get that all the time.
How do you fix it?
Write.
Do you type or write by hand?
Both. Usually, I plan by hand and write early drafts by hand (occasionally), but most of my final stuff and all of my editing is done on computer.
Do you save everything you write?
Yes, to the extent where my mother has given up asking me to get rid of old notes scribbled on the back of whatever was at hand and just asks me to organize them.
Do you ever go back to an old idea long after you abandoned it?
Very big yes. I'm still planning to someday write the fantasy trilogy that I began to plan out in fifth grade. Granted, I guess I've never abandoned it, but it's been on sabbatical for a long time. I have worked on it occasionally, in bouts of seriousness, but never gotten more than 40,000 words into the first book of the trilogy, with really minimal planning for what happens next. I do have a whole lot of worldbuilding for this place, though, and that more than anything tells me that I'll be coming back. I know too much about how things work on Azuria to abandon it. Also, Holly and Jasen, my main characters, were the first characters I really invested with my whole heart. I can't leave their story untold.
What's your favorite thing that you've written?
Favorite completed thing? "Fire and Ice," no question. Favorite incomplete thing? I have no idea. Since I've been working most seriously with The Printer's Daughter recently, it's close to the top of the list, at least for specific portions which I absolutely adore.
What's everyone else's favorite thing that you've written?
Depends on who you mean by "everyone else." Most people who've read "Fire and Ice" like it, but my dad likes the stories I've written for workshops at Berkeley best, since they're realistic. I don't actually think that "Flour Girl" or "Dead White Women" are all that bad--I surprised myself in writing them and liking them, and I suppose that other people probably like them too.
Do you ever show people your work?
Yes. Frankly, I wish that I had more readers to help me work on things!
Who's your favorite constructive critic?
Depends on the day. Sometimes, it's my dad, because he's not afraid to be honest with me and he holds me to very high standards. But at the same time, sometimes his criticism boils down to "Why did you insert a werewolf into what would have otherwise been a perfectly good real-life story?" and on those days I have to stay away from him, because it hurts still to know that that's what he thinks. The only other person who regularly reads and critiques my work is Rebecca, and she is also very good at keeping me honest. She laughs me out of bad ideas and talks me through the good ones.
Did you ever write a novel?
I don't think I can answer "yes" to this, because while I have begun no fewer than four separate novels, I have yet to complete a single one. I don't think I get to answer "yes" until I have a complete first draft. But I suppose it's not lying to answer "almost."
Have you ever written fantasy, sci-fi, or horror?
Yes, much to my father's shame and my delight.
Ever written romance or teen angsty drama?
The first real original fiction romance that I've written in an prolonged form is The Printer's Daughter, though most of my stories end up having romantic pairings that will work themselves out in the future, even if not during the timeline of the story.
However, long before this I was writing romance fanfiction, because while I am not an insane shipper, I am a shipper nonetheless, and one of the major draws of fanfiction is the ability to construct an alternate or extended saga in which the romance works out the way it's obviously supposed to.
What's one genre you have never written, and probably never will?
Horror. I don't think I'm good enough to write a really smart thriller, and horror seems like a cheaper version of that genre (thriller but without the smarts) and I don't want to write that.
How many writing projects are you working on right now?
Three is probably a safe number. The Printer's Daughter is the big one, but there's also two ideas kicking around in my head and jostling for the spot as my 2008 NaNovel. One's about a normal highschooler who finds out that her best friend's a wizard, and the other is an anti-Twilight manifesto presenting itself as a cross between Rent and Buffy the Vampire Slayer.
Do you want to write for a living?
Yes.
Have you ever written something for a magazine or newspaper?
Erm...not really.
Have you ever won an award for your writing?
Probably? Nothing big enough that I remember.
Ever written something in script or play format?
Yes, for Script Frenzy.
What is your favorite word?
Eloquent, juxtaposition, coalesce
Do you ever write based on yourself?
Yes. I think all of my characters are facets of myself, or mirror images of me--but somehow or other, they start with a part of me, whether it's one that I am in tune with or one that I'm trying to run away from.
Which of your characters most resembles you?
Well, Holly and Jasen were written as splinters of my personality, very deliberately--Holly comes very close to self-insertion. But after her, Noelle is very close.
Where do you get ideas for your characters?
People I know. People I am, or could be, or desperately don't want to be, or wish I was. Anyone I feel some strong emotion for, be it pity or desire or camaraderie or pain.
Do you ever write based on your dreams?
Yes.
Do you prefer happy endings, sad endings, or cliff-hangers?
I'd rather read a happy ending, or at least a fulfilling one, as long as it fits with the tone of the work. If the happy ending still comes as a result of great sacrifice and pain, I'm okay with it. It's happy endings no one has to work for that piss me off. Same goes for tragic endings that just seem to happen for no particular reason or with no significance. I mostly write happy endings, or at least uplifting ones, but I really admire people who can write sad stories that I keep reading.
Have you ever written anything based on an artwork you've seen?
No, but I have written things based off of music I've listened to.
Are you concerned with spelling and grammar as you write?
Nope. Even in the editing, I'm rather loose with grammar. I think it should be a reflection of the way a thing is being said or thought or intended, and we rarely think in proper grammar.
Ever write something entirely in chatspeak?
No.
Does music help you write?
No, not really. It usually just distracts me. I only use wordless music when writing, and then only as a way of drowning out something even more distracting (such as people talking loudly).
Are people surprised and confused when they find out you write well?
I like how this question presupposes that people will find out that I write well. I don't think I've surprised anyone with my fiction yet, or if I have, they haven't told me about it. But I have had a string of teachers and professors rather gratifyingly surprised by the quality of my essays.
Quote something you've written.
I don't have access to very much on this computer, but here's a few lines from a freewrite that I am in love with. "He" is Jasen and "she" is Holly (from the long-planned fantasy trilogy):
After the end, they go on. He's still the best friend she's ever had, maybe the only one, and she wouldn't trade that for anything in the world. She knows it in her heart and in her soul. People around her talk about what they'd do for their friends, and she knows she'd do it all and more--she knows that she has done it. She's given her life for him, and though it hasn't been taken, that's only a matter of luck, a simple miracle.
Everyone says it's more than friendship. She brushes that aside as best she can. "What's more than friendship?" she asks the doubters. "What's purer, truer, longer?" Frienship is safe because everything else ends.
Her heart has two settings--"don't care" and "forever"--and it's obvious which one is his. But how she gives it to him is her choice, and so she decides anew every morning, every afternoon, and every night that they're forever friends, and nothing else. There is nothing else that they need.
